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This blog post has been forwarded all over the Arab-speaking world
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. .And Another. . .
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Featured Press
 Don't
miss Johns's spectacular new bronze 0-9, Anselm Kiefer's fantastical  collage,
or the gorgeous swirling piece by newcomer Mia Pearlman.
Jerry
Saltz, NEW YORK MAGAZINE
 And
few works are as dynamic as Mia Pearlman’s “Inrush”
— whorls of white paper that descend on the gallery with gale force
from a recessed window. The installation brings to mind Hokusai’s
“Sudden Gust of Wind,” as well as the chilling paper storm
of 9/11.
Karen Rosenberg, NEW YORK TIMES
Among
the impressive, mesmerizing works in the show [is] Mia Pearlman's smoky,
swirling Inrush. More>
 The
sheer architectural scale of some of the paper installations is staggering:
Mia Pearlman's work, for example, exhibits a level
of dynamism and force that is somewhat unexpected in such a humble material.
Amber
Bravo, GRAFIK MAGAZINE
 Mia
Pearlman’s extremely detailed atmospheric charcoal and graphite
drawings of swirling cloud formations allude to different kinds of weather.
Ms. Pearlman takes something relatively mundane and presents it in a way
that is transfixing.
Benjamin
Gennochio, NEW YORK TIMES
 Mia
Pearlman's cut-paper "HEMITROPE" is a fantastic, cyclonic structure
bursting off the wall.
Cate
McQuaid, BOSTON GLOBE
 Glass
sculptor Mia Pearlman puts a shine on her art at Urban Glass.
NEW YORK POST>
Shopportunities: Museum of Arts & Design
Nov. 6, 2009
On a recent trip to New York, I found myself in the swirl of Columbus
Circle on a rainy and windy day. To escape the elements, I ducked inside
the Museum of Arts & Design, where I encountered a weather pattern
of another sort.
Made from cut paper, Brooklyn-based artist Mia Pearlman's cloudscape
appears to burst into the museum through a thin window and rise up to
the ceiling with the torrential force of a tornado. But it has a billowy,
lace-like beauty, too.
The delicate installation is part of the "Slash: Paper Under the
Knife" show and is, like the weather that inspired it, temporary.
But in conjunction with the exhibit, the museum is offering a limited
edition, laser-cut sculpture made of translucent polystyrene called "Voluta"
that can be transformed into a luminous vortex and hung in a window, placed
near a light source or set out on a table.
"Voluta" is sold exclusively through the museum and its Web
site, www.madmuseum.org, for the duration of the show, which ends April
4. It is $195.
- Mary Louise Schumacher, MILWAUKEE
JOURNAL SENTINEL
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