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Books/Catalogues
SLASH: Paper Under the Knife (exhibition catalogue), published by the Museum of Arts and Design, NY Perfect Paper published by Page One Group, Singapore WE LOVE ARTISTS: From the Artist-in-Residence published by Someone's Garden , Japan Paper: Tear, Fold, Rip, Crease, Cut published by Black Dog Publishing, UK Papercutting (working title), published by Chronicle Books (Winter 2011) PUSH Paper, published by Lark Books and Sterling Publishing (Fall 2011) Installation Art, published by Sandu Cultural Media, China (Winter 2011) vSURPRISE, published by China Youth Press International (2010/11) Cutters (exhibition catalog), Hunter College, NY and Hunterdon Museum, NJ
Television
Watch my interview on Channel 13's Sunday Arts!
Online and Print Media NORTH AMERICA: U.S. Canada
EUROPE: United Kingdom France Germany Italy Poland Spain Sweden Switzerland The Netherlands
MIDDLE EAST: Jsad.net
(Not sure what country) ASIA: Japan India China Hong Kong Taiwan Malaysia
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Featured Press
Shopportunities: Museum of Arts & Design On a recent trip to New York, I found myself in the swirl of Columbus Circle on a rainy and windy day. To escape the elements, I ducked inside the Museum of Arts & Design, where I encountered a weather pattern of another sort. Made from cut paper, Brooklyn-based artist Mia Pearlman's cloudscape appears to burst into the museum through a thin window and rise up to the ceiling with the torrential force of a tornado. But it has a billowy, lace-like beauty, too. The delicate installation is part of the "Slash: Paper Under the Knife" show and is, like the weather that inspired it, temporary. But in conjunction with the exhibit, the museum is offering a limited edition, laser-cut sculpture made of translucent polystyrene called "Voluta" that can be transformed into a luminous vortex and hung in a window, placed near a light source or set out on a table. "Voluta" is sold exclusively through the museum and its Web site, www.madmuseum.org, for the duration of the show, which ends April 4. It is $195. - Mary Louise Schumacher, MILWAUKEE
JOURNAL SENTINEL
SOUTH AMERICA: Argentina Brazil Colombia
SOUTH PACIFIC: Australia New Zealand
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And
few works are as dynamic as Mia Pearlman’s “Inrush”
— whorls of white paper that descend on the gallery with gale force
from a recessed window. The installation brings to mind Hokusai’s
“Sudden Gust of Wind,” as well as the chilling paper storm
of 9/11. Ms. Pearlman is one of several artists who use paper cutting
as an extension of drawing. 
Among
the impressive, mesmerizing works in the show [is] Mia Pearlman's 
smoky,
swirling Inrush. 
The
sheer architectural scale of some of the paper installations is staggering:
Mia Pearlman's work, for example, exhibits a 
Mia
Pearlman’s extremely detailed atmospheric charcoal and graphite
drawings of swirling cloud formations allude to different kinds of weather.
Ms. Pearlman takes something relatively mundane and presents it in a way
that is transfixing.
Mia
Pearlman's cut-paper "HEMITROPE" is a fantastic, cyclonic structure
bursting off the wall.
